🥇 7 Best Turntables (The Wonders of the Analog) –

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"Someone tried to convince me that CDs were better than vinyls because they don't have background noise. I answered him, listen to me, my friend, the LIFE it has background noise. "

John Peel, legendary DJ and music journalist

Let's face it all:

In a world like ours there is more and more hunger for authenticity and humanity, we are tired of digital, because it is abstract, invisible, impalpable.


As human beings we are always used to to touch the things, sniff, experience them not directly as bits, virtual information, but as real objects.

listen here for a direct comparison CD – Vinyl with a Police album

Friends sometimes ask me why I listen to music in vinyl and not on cd 💿 or mp3 …

I say nothing at that point, I remain silent.

I then approach the shelf of my own record collection, directed to the letter "V".

I pull out of the Morral custody Astral Weeks, and gently move the thumbtack on the furrows.

🥇 7 Best Turntables (The Wonders of the Analog)

In the room every time you re-do the miracle.

That registration magic it captures the soul even of the most arid and indifferent souls to Music.

Then I repeat immediately after the operation making listen the same disc from CD …
And if I feel particularly sadistic, I also let him listen to the 320kbps mp3 version.

There is no need to add anything else at that point.

My audio system certainly is from good quality, therefore the defects and the merits of each reproduction system are even more amplified.

But so far no one has ever preferred the CD version, the difference is so obvious and shocking, especially if you are not used to listening to a good analog system.

My friends and acquaintances are countless converted to vinyl from scratch.
These then in time begin to bombard me with questions, and I am very happy to give advice.

It is always nice to see someone pass by on the other side of the fence: from the side of whom the Music la really loves and it does not treat it as a simple means of consumption.

You want to learn how to enjoy 100% of music without compromising on sound quality and above all without spending capital?

Follow me.

I'm Tony.
As a teenager I used to listen to records mainly through mastered CDs, it was not yet the era of Napster and it was difficult to satisfy my thirst for music with the few original CDs at 34 thousand liras that I could afford.

I had an elementary stereo, a Pioneer inherited from my father, a good amplifier, but connected to a Chinese CD player.

I thought CD players were all the same …

I had absolutely no idea that the audio having to go from the state of "bit", that is digital, to that analog, or reproduced from the stereo speakers, passed through a fundamental step: from the D / A converter where D stands for Digital and A stands for Analog.

One day I found myself visiting my uncle Alfredo in Milan, a passionate melomane, a passionate lover of Jazz and an incurable hedonist.
He set me up a Kind of Blue by Miles Davis, CD version.

I had the same record at home, a Christmas present the year before, I had listened to it a couple of times but it hadn't particularly impressed me, I was a rocker at the time convinced and the smoky and languid atmospheres of jazz weren't in my strings …

But his was a professional CD player, with excellent D / A conversion and a fabulous tube amp.

It was like for a atheist see the Madonna.


That record sounded magical, the musicians seemed to be present in the room, and now yes, now I understood why it was considered one of the greatest records in history!

"And this is nothing, now I let you listen to it on vinyl, first original American print!"

First original American print? What did it mean? That wording meant a difference between a print and another, maybe even sound, or execution, or who knows …

Until that moment I had never asked myself too many questions about the discographies, I put on the CD and went on.

But I was at a crossroads in my existence, while the “So What” double bass entered and prepared the ground for Coltrane's saxophone, I already felt that my life would never be the same:

Finally I saw the light. The vinyl version was even more alive than the CD version, more three-dimensional, seemed to be in a smoky New York club in the 50s, I could smell the cigars, the clinking of ice in gin glasses. He seemed to see Miles Davis, in a concentrated corner, ready to hold his trumpet.

I heard Music for the first time.


Why use the turntable instead of cd players?

Vinyl ensures a warmer, mellow sound, with less violent transients, sweeter and more musical. That is, the drums and the other instruments sound less "angular", less "violent", more in my opinion similar to when you listen to them in reality.

The instruments blend better with each other, does not seem to be listening to a surgical analysis of the world, but the sound reaches our ears like a unique, like a melted musical block. Exactly like listening to an orchestra or a great live band.

The turntable seemed to be out of fashion, it seemed to have had its day in the 90s, when the explosion of the CDs occurred, and the vinyl drastically dropped their sales.

Even worse when the much-loved / hated mp3 arrived on the scene, it seemed the time had come for the magical vinyl, relegated to the garage of some old fan.

When it seemed that people had become accustomed to listening to music on c *** a media, finally here is the vinyl record resuscitated.

It was inevitable.

The mock practicality of the mp3, when put on the plate with the beauty of the record covers, the superior quality of the audio, the magic of analog, can only retreat miserably and lose a battle obviously already written at the start.

In the CD there is an audio decoding starting from bits, that is from sequences of 0 and 1, then transformed into audio, the same that happens in the flacs, or even worse in the mp3s.

As for the vinyl, instead, there is the pin of the turntable that caresses the mechanically engraved grooves and the vibrations are amplified and become music.

In a world like ours there is always more hunger for authenticity and humanity, let's face it all: we are tired of digital, because it is abstract, invisible, but as human beings we are always used to touch things, smell them, experience them directly with as bits, virtual information, but as real objects.

The material and also affective relationship that can be established between a person and a vinyl, cannot happen with the CD or with trivial files on hardisc, or even more absurdly with an audio stream.

Are all vinyls the same? Vinyl 180 grams, reprints, etc.

First you need to make a clarification: not all vinyls are printed from analog media.

Before the advent of digital music recording and printing of music took place completely in analog, without any passage in the field of digital.

Instead, contemporary music production increasingly sees the coexistence of hybrid devices, which make it possible to exploit the warmth of the analogue and the convenience of digital.

This is interesting also for what concerns the world of vinyls, the first English press of Led Zeppelin 1 is safe from an analogical chain, while the umpteenth remaster reprint of 2020 will probably have seen at least partly in its realization a recourse to digital , that is the audio source has been converted to audio file at some time.

But does this mean lower quality?

Do remasters always sound better / worse than first prints? It's not all gold that vinyl.

No, there are excellent remasters, which improve the quality of listening definitely, this happens for example in the case of excellent records that have undergone mediocre productions, this happens above all with regard to classics of the past, which can have new blood with an excellent remaster .

At the same time there are remasters that "swallow" the original disc, subjecting it to unnecessary digital "boosts", for example by watering down the batteries and making the whole thing more "artificial" and "cold".

That's right, this can also happen with vinyl reprints. It can happen that a copy of the same album in cd sounds better than its vinyl version because maybe remastered with more care.

Attention I'm not talking about the difference between a physical copy of the CD, but of different editions, different years, different mastering studies, in this case the fourth cover is authentic to check which reprint we actually have in our hands.

Japanese reprints?

Usually i Japanese remasters they are renowned for being of superior quality, so it is easy to see in audiophile CD or vinyl stores with the border with Japanese writings.

180 grams of vinyl, are they superior?

Sometimes we read the wording "vinyl 180 grams". But is 180 grams really synonymous with higher quality?

A higher weight than a vinyl is often associated with better audio quality, since the grooves are better defined, the pin has greater stability during tracking, more stereo imaging, and in general it is assumed there has been more care behind for the realization and mastering the same disc.

Let's clarify one thing first, the sheer weight of one disk compared to another does not at all mean better audio quality.

But the truth is that since the 180 gram editions actually sound better usually because they are simply better cared for, the record company usually provides the best audio source, such as the original tapes on which the record was physically recorded at the time , and superior processing techniques are used.

Another difference that usually makes vinyls 180 grams higher is the fact that pure, virgin, and non-recycled vinyl is used, as is usually the case for regular productions, to prevent the impurities of recycled vinyl plastic from affecting the sound.

What turntable do you buy?

Belt or direct drive turntable?

The engine of a turntable can be direct drive or belt driven.

The turntables for audiophiles, thus guaranteeing the highest listening quality, the least distortion and the least possible noise, are at belt.

This type of traction makes it possible to guarantee greater insulation between the motor and the head.

In the case of belt drive, there is an engine made up of an elastic belt that makes it turn the plate on which the disc we want to listen is placed.

The motor is mounted on the side, and the belt therefore serves to dampen, allowing the plate to not directly absorb the vibrations of the engine, and therefore be much less noisy.

THE direct drive turntable instead they have an engine that is directly connected to the plate, the sound quality is lower, because there is basically more noise.

However, they are perfect for “scratching”, since they are much faster, that is, you press play and the disc is immediately at the desired speed, thus allowing many more tricks and technical acrobatics for the DJs.

The most famous direct drive turntables are the Technics SL-1200, and their variants, are those undoubtedly the most loved by DJs from all over the world, particularly the hip-hop ones. Despite the enormous success and diffusion, their production was unexpectedly interrupted in 2010, to then be resumed in 2016 given the very high demand.

Which tack to buy to change that of your turntable?

If you want to make an important step up in the reproduction and tracking of your faithful vinyls, I definitely recommend this pin of Ortophon.

The improvement will be evident immediately, even for the less experienced ears. However, I recommend giving the needle a few hours of "break-in" to make its best qualities stand out.

You will thank me.

Straight arm, S-shaped or tangential?

The S-shaped arms are those of the "vintage" turntables, no longer used, while the tangential ones are reserved only for really expensive turntables.

Building a straight arm at an industrial level is certainly simpler, and allows the same materials and time to concentrate on the sound output.

They are also more robust and easier to install and repair.

MM or MC head?

The heads that we can currently find on the market are of two types: Magnet Mobile, or MM and Bobbin Mobile, also called Moving Coil, therefore abbreviated MC.

MC cartridges need more pre-amplification, in many cases they need a dedicated pre-amp.

In the MC heads there is no possibility to replace the stylus, the so-called "pin". So they must be replaced in their entirety, thus allowing even less combinations, which in many cases allow a total customization of your turntable. Think of how many times we hear about pins and heads used in one combination rather than another.

MCs normally sound better than MMs.

But this is not true for all models, which is why I recommend in any case to always opt for MM cartridges, especially if you are a beginner and you are not doing well what you are buying.

How often should the needle be changed?

There is no single answer to this question.

If you are in fact a DJ, the needle will suffer much more mechanical stress and will obviously have to be changed much more often.

But it also depends on one's "sensitivity" to listening.

Let me explain.

There are turntables with old and worn pins that continue to "play" and most people don't even notice the difference if they are subjected to listening with a new needle.

As a general rule, when at your ear you hear a SUBSTANTIAL difference in listening, that is when the pieces begin to be muffled, less defined, that is the right moment to think about replacing a needle.

It also clearly depends on how rare and expensive the vinyls are used, in case we find ourselves listening to collectible pieces of 100 and more euros per piece every day it is good practice to immediately change the needle to the very first signs of wear.

For example, if we are novice DJs who are practicing on "battle" vinyls, the needle can continue to be violated to the extreme, avoiding a continuous repurchase.

How to repair the turntable?

Do you have a turntable that slows down or doesn't turn? Or worse than jumping during playback?

Here's what I recommend:

First replace the belt, and check if it's all right.

In this case, proceed to calibration, which can easily be done by hand even by a novice.

Remember that if you bring the turntable from a service workshop you must remove the plate and the counterweight of the arm (and, of course, fix the arm on the support and tie it with a nerve). When you pick up the "calibrated" turntable, you will have to repeat the calibration operation at home, by yourself: that is, replace the counterweight and "at least" set the weight for the head.

How to use the turntable? (Definitive Guide)

Are you wondering what it takes to start listening to music with a turntable?

How does the turntable work?

The turntable is one of the most enduring and popular technologies in history.
There have been countless attempts to supplant them, but vinyls remain alive and well, now more than ever.

Tapes, CDs and mp3s have their advantages, but the sound quality is incomparable, nothing is comparable to the heat of the analogue, the needle that caresses the grooves and returns the characteristic emotions of the TRUE, PRESENT, MAGIC sound.

For those unfamiliar with this technology, it may seem like magic, there are no bits, there are no tricks, everything happens through a thin stylus that, passing through the grooves on the vinyl, captures the audio, which is then amplified and turned into waves sound.

Vinyl is the material of choice for turntables, but in some cases lacquers can also be used, but they have a temporary duration and are mostly "prototypes" used by DJ techno, hip hop and reggae.

The plate, or the part on which the vinyl that we intend to listen is placed, is a very important piece of our turntable, it is essential that it is of high quality to ensure a uniform and perfect rotation, without mechanical stress that could affect listening.

The arm is the "intelligent" part of the turntable, in fact this will "process" the contents of the vinyl and return it to us.

Sometimes you hear about mysterious Japanese "expensive" pins, or dj points.

The beauty of turntables is that unlike CDs they allow a sort of customization directly to the mechanical root of the sound, in fact choosing a pin rather than another will allow us a different sound rendering, in relation to our system but also to our needs.

An audiophile turntable will marry better with an expensive and high-performance needle, while instead a nice Technics 1200 will be at ease with a dj needle to ensure good grip in the grooves in case of scratch and beat juggling.

The mechanical arm must be flexible and agile enough to move on the vinyl grooves without damaging it, and at the same time strong and heavy enough not to be compromised by engine vibrations.

In recent years the general construction of the turntable arm has remained more or less unchanged, there have been no major advances in the technology of this part of the device.

The head is another fundamental piece of our turntable rig, it is in fact the piece that allows the magic of music to show itself.

It is small, rectangular, contained, but actually plays a fundamental role, because it uses electromagnetic induction to transmit vinyl grooves in sound waves.

How do you connect the turntable?

Connecting a turntable to our stereo system is a very easy operation, which can be alchemical and difficult for those who are not accustomed to dealing with the world of analog audio.

Of fundamental importance is the phono preamp.

How many times in our lives have we read the word "phono" on audio gear, without really knowing what it meant.

What is the phono preamp?

The cartridge of the head generates a very small voltage that alone would not be enough to be "listened to". We therefore need it to be amplified, equalized and transformed into sound waves perceptible to our ear.

The phono preamp can be either inside our turntable, integrated into it then, or stand outside as a separate unit.

It is clear that a good preamp goes without saying that it should be treated separately regardless of the turntable, to ensure maximum sound power and fidelity.

Preamp integrated into the turntable

The preamp can be integrated into the turntable, in this case it will be enough to connect our turntable directly to the speakers to have the system ready to go.

It is important to remember to place the grounding knob which must be connected to the cable or to the earthing screw of the turntable to eliminate the buzzing naturally present.

If instead the phono preamp is not integrated inside the turntable, first of all it will be necessary to pass the turntable from the intermediate phono preamp stage, through a dedicated amplifier.

Usually the preamp is present in the amplification system in charge of serving the speakers, or the speakers, as you prefer to call them. If it is not present or integrated into the turntable or external amplifier, you will need to rely on a separate phono-preamp component.

In this case you need to buy a phono preamp box and connect our turntable and earth to it via a cable, only then can you let out the audio signal to serve the audio inputs of the receiving device.

In the event that both the receiver and the turntable are equipped with a phono-preamp system, it will be advisable to experiment "by ear", in order to evaluate which of the two systems sounds better based on our personal taste.

In some cases you can make beautiful discoveries and you can even realize that just turn off the phono preamp of the turntable for example and activate that of the amplifier to get a significant step up in sound quality.

Sometimes the most brilliant solutions are at hand and we don't realize that a small gesture would be enough to improve the quality of our life, instead of going crazy trying impossible and demanding solutions.

In many cases, however, buying a separate dedicated phono-preamp – as often happens in the audio world where the more specialized devices are, the more efficient they are – can be an excellent investment to make our music sound better and achieve surprising results.

The circuitry of an external phono preamp system will be game-force higher than that of an integrated system.

Where to place the turntable?

If you really mean business and you're not part of the world of music listening, you definitely want to get 100% from the potential of your turntable.

It is therefore very important to position it intelligently in our workstation.

The optimal positioning of the turntable is something crucial, following this brief and exhaustive guide of mine, however it will be very simple to verify that you are not making blatant errors in full unconsciousness.

The basic rules?
Keep the turntable away from the vibrations produced by the speakers.
Make sure that the surface on which it rests is "level", straight.
Keep it away from interference.

Isolation from the speakers (the speakers)

As a first rule there is to avoid that the turntable is disturbed by the vibrations coming from the speakers.

It is important to place our turntable and boxes on different surfaces so as not to allow the sound to vibrate the needle of the turntable, or even the vinyl itself.

The head translates the vibrations into sound, we must not forget this fundamental principle, so any external vibration is only a nuisance.

It is also good to keep the turntable "on the bubble", a level will be enough in this case to make sure that our appliance is actually parallel to the ground, in this way it will be possible to ensure a bomb-proof tracking.

It is also good to keep the turntable, especially the arm and head, far away and well protected from noise sources, such as amplifiers, high voltage electronics and wireless transmitters.

It is essential to keep the turntable in an indoor space protected from atmospheric agents and at a controlled temperature, the same applies to our vinyl collection! Sometimes people tend to forget how delicate the discs are.

If you feel a distortion in the sound or an annoying feedback effect when you raise the volume, it means that the turntables and speakers are not well insulated, in this case it is better to take immediate precautions and to separate them more.

The boxes and the turntable must therefore stand on two different surfaces, it is good to consider the appropriate stands on which to place the boxes.

If you have little space, the alternative is to place insulating pads under the boxes. This system works best for small boxes that are usually used at relatively low volumes.

Insulation is even more important when it comes to subwoofers, since low frequencies are the most difficult to control and the most annoying both in terms of vibrations and sound feedback.

If you can hear the beat of the music inside your body, it is very likely that even your turntable can "hear" it.
Therefore, keep your diver as far away as possible to avoid disasters. 😉

Choose the table on which to place the turntable

Placing the yard on a stable and hard surface will help to soften the vibrations without a doubt.

So it's better to choose pieces of furniture with a certain mass, which will soften the vibrations before they can reach our dear turntable.

Therefore it is better to avoid too hard materials that cannot absorb the vibrations well and therefore risk to tremble and only worsen the situation!

Prevent interference

The positioning of the turntable can also prevent electrical noise inside the reproduction of the pieces, which as we know is very annoying.

What is interference?

The iteration is an excess of noise, typically a hum, a buzz or a static noise.
It must however be borne in mind that the world of analog by definition is "sound carrier of noise", but as the great British music journalist John Peel said: "Somebody is trying to tell me that CDs are better than vinyl because they don't have any surface noise. I said, "Listen, mate, life has surface noise." "Someone tried to convince me that CDs were better than vinyls because they don't have background noise. I answered him, listen to me, my friend, Life has background noise. "
Background noise is an integral part of analogue recordings, and it is what contributes to music to come to life and be more "human". So a little noise doesn't hurt, the problem is when this noise is exaggerated.

In analogue systems, if the volume is raised without any music in play, we tend to feel a certain level of hum / buzz which is really inevitable, this is the so-called "noise floor", cross and delight of generations of audiophiles.

If this noise is louder than music, or at least so present as to be annoying and cover parts of the interpretation, it is better to run for cover and immediately try to isolate the turntable from possible sources of electrical noise.

It is a good idea to place the turntable at least one meter away from electronic devices, especially those equipped with wireless transmitters.

So let's talk about TVs, routers, cordless phones and even light dimmers!

At the same time it is important to take care that the RCA cables do not pass next to the power cables of the power supplies or to the power supplies themselves.

Even the transformers of the amplifiers and the active speakers inevitably emit noise and interference, so it will be better to keep our turntable safe from them too.

Most stereo receivers have the transformer on the left side, so as a rule it may be a good idea to try moving the turntable on the right side of this to start working on isolation. In any case, never place it on top of it, because in addition to sound interference you risk blocking the airflow of the receiver.

It is good to keep the surrounding environment in which the turntable operates at "human" temperatures and also the humidity level should be around 30-50%.

Attention why an environment too dry may produce static noise problems.

What is the best turntable?

Sony PS-HX500, perfect USB to digitize their vinyls

This Sony PS-HX500 offers a great value for money for those who intend to launch into the world of digitalization of vinyls without buying a sound card, the A / D converter in this turntable is excellent.

Some time ago I found myself with two hundred vinyls that I had to digitize for my dj sets, since I have several rare pieces that cannot be found online, not even in flac in liquid music stores that deal with more unknown material.

Turning to a store for this service would have taken away a lot of money and time, plus I don't trust online services these days, let alone in-person services, because the quality of the available "professionals" let's say the truth has fallen dramatically and now the things that are done with ever greater superficiality.

Since I am a perfectionist I thought then to buy a turntable on purpose to provide for the digitalization of my vinyl archive.

It is very easy to assemble, with excellent instructions in Italian, and there are several tutorials on youtube if you intend to learn directly how to actually use it, if you are a beginner.

The conversion can take place in Mp3, WAV or DSD, or Direct Stream Digital, a proprietary format of Sony.

The process takes place by connecting the turntable to the PC by means of a USB cable.

To facilitate this there is a software supplied by Sony, which is called "Hi-Res Audio Recorder"

This device has a very basic design but does its duty to the full, plus it can obviously also be used as a "normal" listening turntable.

The audio quality is excellent.

There is no automatic locking / lifting of the arm at the end of the stroke, but in my opinion it was a clever move by Sony to avoid weighing down the needle.

I recommend changing the stylus to really get the most out of it, a scary combo to take home a large turntable that works excellently as a vinyl digitizer.

REGA PLANAR 1 BLACK, entry level for audiophiles (mellow and warm sound)

Perfect for budding audiophiles, great and musical sound right out of the box already with the original stylus.

This turntable has the classic "audiophile" look, you can tell right away by looking at it, without even having to start it up, to find ourselves in front of a serious and high-end product.

E infatti è questo che si tratta, un ottimo giradischi entry-level, per entrare nel mondo dell’audiofilia direttamente dal portone principale, senza però dissanguarsi e alleggerire il portafogli.

Questo Rega RP1 ha vinto molti award da diverse riviste in passato, e ci sarà un motivo per cui è ancora vendutissimo dopo due anni.

C’è bisogno per utilizzarlo di un preamp-phono, quindi nel caso non ce l’abbiate presente sul vostro impianto stereo sarà necessario acquistarlo a parte.

Il suono è molto musicale, pastoso, e si può stare ad ascoltarlo per ore senza stancare l’orecchio, cosa che invece purtroppo capita con altri impianti entry-level.

Non c’è bisogno poi di fare spese aggiuntive in accessori, è già pronto all’uso per ore ore ed ore di fedele riproduzione musicale.

Si comporta infatti benissimo già con la testina originale.

Highly recommended.

Dual DTJ 301 USB, perfetto per il rock

Grande design. Non ha il ritorno automatico ma è pre-amplificato, quindi si può collegare direttamente allo stereo di casa.

Ecco un grande giradischi, dal design molto simile a quello del classico Technics 1200. E ha molte cose in comune con lo stesso.

Questo Dual DTJ 301 si mangia vivi altri giradischi ben più costosi.

La puntina in dotazione è di Audio Technica, non il massimo, ma più che soddisfacente se si è alle prime armi nel mondo dell’ascolto del vinile. Altrimenti consiglio di metterci su una bella Ortophone e di viaggiare sicuri.

Facile da assemblare, consiglio di tarare il contrappeso a 2,0

Non è dotato purtroppo di ritorno a fine corsa del braccio, ma non c’è problema perché la puntina rimarrà semplicemente ferma sull’ultimo solco del vinile senza causare problemi né danneggiarsi.

Perfetto per chi ascolta rock, il traking infatti è preciso e affidabile, con un suono musicale e potente.

Questo Dual è davvero un ottimo prodotto per chi vuole affacciarsi al mondo dell’audiofilia.

Pioneer PL-990, serio e performante

Un giradischi serio, solido e minimale, non dotato di collegamento USB, ma grandissima qualità dell’audio.

Pioneer è da sempre sinonimo di audio e di qualità, e questo PL-990 certo non tradisce le aspettative riposte nel marchio.

Il prezzo infatti è competitivo ed è di ottima fattura.

Si può collegare anche ad un normalissimo stereo, dato che è pre-amplificato, quindi non necessita di ingresso phone, con relativo ampli a parte.
Sicuramente ottimo per chi non intende perdere troppo tempo a scervellarsi e desidera partire sin da subito mettendo su i propri album preferiti.

Lo si può collegare direttamente anche a delle casse attive, ed è così che lo utilizza mio nipote, a cui l’ho regalato.

La qualità dell’audio è quella classica Pioneer, quindi non si smentisce, un bel suono scuro, preciso e grande stereo imaging.

Un giradischi insomma che può dare filo da torcere a modelli più blasonati e che in più fa bella figura in ogni salotto italiano.

Consigliato agli audiofili alle prime armi.

Audio Technica AT-LP120USB HC

Giradischi che riprendere le caratteristiche estetiche del SL-1200 della Technics, a meno della metà del prezzo di questo. Meglio usare però una preamplificazione esterna a parte nonostante sia già dotato di preamp interno.

Già il nome fa capire da subito che l’Audio Technica ha voluto ispirarsi per questo giradischi al leggendario SL-1200 della Technics. Infatti il nome del modello in questione è LP-120.

Ma niente di male a voler cercare di portare le stesse caratteristiche di un mostro sacro ad un prezzo però più ragionevole per il grande pubblico, permettendo anche ai novelli appassionati di avvicinarsi a questo magico mondo.

Questo LP-120 è perfettamente regolabile in ogni sua caratteristica: altezza, peso, skating braccio, pitching e reverse mode. Ha tre velocità di rotazione per tutti i supporti ed un gran bella trazione diretta.

Pesa più di 10 kg, e ciò lo rende perfettamente stabile, anche sulle superfici meno convincenti.

E’ dotato di preamplificazione interna, ma questa non è grandiosa, quindi meglio usare un box esterno per cacciare il massimo della qualità sonora da questa bestiolina di casa Audio Technica.

Il timbro è quello lì classico musicale dei migliori Technics, quindi un suono aggressivo, preciso e convincente, perfetto per ascoltare soprattutto la musica moderna.

Ma si comporta anche bene col jazz e con la classica.

MUSITREND, giradischi a valigetta stiloso, per i nostalgici del vintage


MUSITREND Giradischi Bluetooth a 3 Velocità 33/45/78 giri / min...
MUSITREND Giradischi Bluetooth a 3 Velocità 33/45/78 giri / min…

  • Portatile Vintage Design: Lettore di dischi vinilici di stile vintage. Design della valigietta con maniglia permette di trasportarlo facilmente
  • Giradischi a 3 volocità: regolabile per riprodurre le registrazioni da 33 1/3, 45 o 78 giri. Convertise i record in fili digitali tramite il software, nonché i brani riprodotti su lettori CD collegabili tramite l'ingresso AUX

Idea-regalo perfetta per i nostalgici, per coloro che continuano ad immaginare il mondo in bianco e nero ed amano sognare.

Se avete un amico appassionato di musica vintage, o semplicemente avanti con gli anni, oppure qualcuno capace di apprezzare atmosfere un po’ più retrò, be’ questo è il regalo perfetto.

La classica valigetta-giradischi come si usava un tempo, con la stessa bellezza e lo stesso fascino del passato.

La qualità sonora non è chiaramente comparabile a quella dei marchi proposti sopra, ma quella è ovviamente rapportata al prezzo, decisamente più ragionevole e per chi non cerca un’esperienza audiofila.

E’ possibile proprio come si faceva un tempo ascoltare la musica direttamente dagli altoparlantini integrati, per sentirsi negli anni 60.

Il tutto è già ovviamente pre-amplificato, quindi è possibile utilizzare anche delle cuffie e connettersi direttamente alla valigetta per un ascolto solitario.

C’è poi una porta USB che permette di collegare il giradischi valigetta al PC e di digitalizzare la propria collezione di musica analogica.

Questo modello è inoltre fornito: della funzione di stop automatico del motore, attivabile tramite switch, di un ricevitore bluetooth attivabile tramite switch e di un regolatore di velocità.

Un’ottima idea regalo, anche per chi a casa ha già un giradischi audiofilo “serio”.

Last update 2019-11-27 / Affiliate link / Images from Amazon Product Advertising API

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